Article in Cambrige's TEMPO Journal: 

TIMBRE-BASED COMPOSITION, MULTIPLE PERSPECTIVES AND AMBIGUITY IN REBECCA SAUNDERS’ COMPOSITIONAL STYLE

​

Masters thesis in musicology:

Sound, form and meaning : Pierre Schaeffer and Helmut Lachenmann - a comparison

​

​

As my PhD research on live electronics, perceptual ambiguity and audience engagement progresses, I hope to post some updates here.

​

© Omri Abram 2020

Artwork by Maria Frank Abrams